Imelda Cajipe-Endaya belongs to a rare breed of artists who combines art and scholarship. Over 200 of her artworks and archival materials on Philippine historical images done over the
On Sept. 14, two days short of her 70th birthday, Imelda Cajipe-Endaya will open her 22nd solo exhibit at Altro Mondo Creative Space in Makati, capping her five glorious decades
The title of the group show at Eskinita Gallery, “Sa Panahon ng Damuho,” sounds like something out of the Book of Revelations. That isn’t such a stretch, said visual artist Imelda Cajipe Endaya, who defined damuho as “a savage, evil beast.”
“Upheaval” is a disturbing piece of art. It has just been mounted in Tagaytay Highlands, in On the Third Day Institute for Renewal and Formation. The 68”x 92” acrylic-and-fabric collage
COMRADES in Arts ’66 will hold a golden jubilee exhibit: Johnny Altamonte, Bim Bacaltos, Heber Bartolome, Glenn Bautista, Santiago Bose, Imelda Cajipe-Endaya, Ernie Canlas, Lito Carating, Romy Carlos, Noli Garalde,
“Pusong Wagas,” an art exhibition by Imelda Cajipe-Endaya, is running at the St. Scholastica’s Museum on Vito Cruz St., Manila, to celebrate the 25th anniversary of St. Scholastica’s College (SSC) Institute of Women Studies (IWS).
Regarded as “the most tempestuous” piano work by Ludwig Van Beethoven is his Sonata No. 23, popularly known as the Appassionata. The word is Italian for “passionate.”
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