ErZil Kho-Morales: The Corporate as Artist
The worlds of art and business don’t usually meet, and while some dabble in both, oftentimes they have to focus on one or the other. But every so often, someone
The worlds of art and business don’t usually meet, and while some dabble in both, oftentimes they have to focus on one or the other. But every so often, someone
Chelsea Clinton says she’s naturally an optimist and despite enduring name-calling from the time she was a child, she chooses to answer insults — even on Twitter — with kindness and respect.
The choice of Trump was made by the British public after being asked who Matilda would most likely to stand up to in 2018.
A Paris appeals court on Tuesday upheld a ruling ordering an American couple to return a Camille Pissarro painting to the descendants of a Jewish family that owned the art work before it was seized during World War II.
JOHANNESBURG (AP) — Mickey Mouse is getting an African look for his 90th birthday. At Disney’s invitation, 10 South African artists each painted and adorned a statue of the cartoon
The “boceto,” or purported study of Juan Luna’s immortal “Spoliarium” that Salcedo Auctions has just bid out, may have divided collectors and experts, but it has also livened up the art scene.
The Orchestra of the Filipino Youth (OFY) is composed of 68 musicians, 45 males and 23 females, ages ranging from 6 to 19 and above. The musicians, called scholars, come from modest, underprivileged or disadvantage communities. Ninety percent are in school, the others are degree holders (six percent) or out of school (four percent). The most number of fathers of the youths are electricians, laborers or retired/unemployed, respectively; a great majority of the mothers are housewives.
Who can fathom the vagaries of love? Or deep friendships and very close relationships? Why do they end? And, in spite of the old saying, can we still go down on the same river twice? Would we remain the same persons?
The 24th World Congress of Philosophy, held Aug. 13 to 20 in Beijing, China, would soon be considered as a “turning point in the history of thought.”
Apropos the abstractionists of his own country, the critic David Sylvester once wrote: “The difference is not between a poetic art and an art which has physical presence and no soul: it is the difference between an art which relies on evoking things outside itself, an art that is somehow transparent, and an art which evokes other things only when it has firmly and decisively established its own reality.”
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