WATCH: Boy explains why he loves his brother with Down Syndrome
“It’s not an illness… Not even a disability. Just because you read slower or you don’t run as fast doesn’t mean you have a disability.”
“It’s not an illness… Not even a disability. Just because you read slower or you don’t run as fast doesn’t mean you have a disability.”
It inspired by the classic Nintendo Entertainment System game console color scheme.
KHON KAEN, Thailand — From communing with forest spirits to whipping up love potions, Thailand’s cave-dwelling hermits once conducted their supernatural endeavors with just ancient magic and ritual as their guide.
Ballet Philippines critically combines classical ballet and Disneyfied global capitalist entertainment in “Your Highness,” a coproduction with German and Swiss performing arts companies which will have its world premiere on July 27, 8 p.m., and 28, 3 and 8 p.m., at the Cultural Center of the Philippines’ Little Theater.
The Cultural Center of the Philippines (CCP) has a new president in the person of director Arsenio “Nick” Lizaso. Considered one of the pillars of the Philippine movie industry, he has been likened to National Artists for Film Lino Brocka and Ishmael Bernal.
Spanish-era monuments in and around Intramuros, Manila, such as the statues of Simon de Anda; Miguel Lopez de Legazpi; Fr. Andres de Urdaneta, OSA; King Carlos IV; and Queen Isabel II have been declared National Cultural Treasures (NCT), with six other sites and structures in Luzon, by the National Museum.
An online bidding on July 29 by leading auction house León Gallery will feature fine furniture, exquisite antiques and objets d’art from the famous
Ledda House of Singalong, Manila, to help raise funds for the Philippine General Hospital Foundation.
A medical physicist hopes to use her new title as Miss Philippines-Earth to highlight the “science behind climate change.”
In the period of late Philippine Modernism, which roughly began with the establishment of the Cultural Center of the Philippines and its Thirteen Artists Award in the early 1970s, the artistic environment was rich in experimentation of theme, subject and medium. From this creative cauldron came forth the early abstractions of Justin Nuyda and Romulo Olazo, the sculpted figurations of Eduardo Castrillo, and the genre art of Mario Parial.
It was a stirring “Symphony No. 2 in E Minor, Op. 27” that the Manila Symphony Orchestra (MSO) under Arturo Molina interpreted at Circuit Makati and Ateneo de Manila University.
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