Golden Globe nominations to reveal Hollywood award season hopefuls
Los Angeles, United States | AFP | Saturday 12/7/2019 – 09:41 UTC+8 By: Andrew Marszal Hollywood’s award season hopefuls will start to…
One of the things JC Santos loves about the theater is its discipline. The thirtysomething TV and film heartthrob can...
At first glance, Tanghalang Ateneo’s (TA) “Antigone vs. the People of the Philippines” seems to be both a national catharsis...
“Playing the same character gets better with age,” says acclaimed theater actor Joanna Ampil, referring to two iconic roles she...
Jonathan Tadioan and Marco Viaña, the leading men in Tanghalang Pilipino’s (TP) “Katsuri,” mirror the dynamics between their respective...
“The Quest for the Adarna” is a first in many ways for Repertory Philippines (Rep) Theater for Young Audiences. The...
When it first opened on Broadway in 1970, “Company” was seen by audiences and critics as a sly, subversive, funny...
The Holy Mother of God. The Blessed Madonna. The Queen of Heaven. These are but a few of the dozens of equally exalted titles with which the Roman Catholic Church and her devotees call Mary, mother of the biblical Jesus.
As a young boy 20 years ago, Steven Conde saw onstage a talking and singing lion in Trumpets’ theatrical production of C.S. Lewis’ classic fantasy novel, “The Lion, The Witch and the Wardrobe.”
How long can a couple’s marriage last if they can’t talk to each other? If one partner keeps repeating the error of his ways, should his long-suffering wife keep forgiving and taking him back? How can reconciliation happen if communication does not even exist?
Explaining why her play “Stop Kiss” remains relevant after its 1998 off-Broadway debut, American playwright Diana Son was quoted: “Because unquestionably the last beat of the play is, love wins.”
