Less than two years since “change” cursed and killed its way into this corner of the world, and already, the theatrical landscape betrays heavily our collective frustrations with this
The industry forges on through the good and bad patches, the seasons of plenty and want—the way pioneers like Rep and Peta have done so in the last 50 years
Three productions of varying themes and styles—but all very Filipino
ONGOING ‘Tao Po,’ BGC Arts Festival, Nov. 26/10:30 a.m., Maybank Performing Arts Center, BGC “Tao Po,” a monologue play written by Maynard Manansala and performed by Mae Paner, explores
Russian Yuri Shadrin electrified the audience at the Cultural Center of the Philippines (CCP) with a performance of Lizst’s “Piano Concerto No. 1” during a concert with the Philippine Philharmonic
Dulaang UP pillar Tony Mabesa stages the National Artist for Literature’s powerful family drama in both English and Filipino
Gonzales’ costume designs for Dulaang UP’s “Hakbang sa Hakbang” (Shakespeare’s “Measure for Measure”) won him the silver prize in the Professional Designers category at the 2017 World Stage Design in Taiwan.
A work of such superlative, gratifying quality, Floy Quintos’ new play, directed by Dexter Santos, clings to your brain, begging for repeat viewings
To date, the Dulaang UP artistic director has 11 ‘santos’ in his collection–and Lent is his ‘favorite time of the year’
ONGOING Repertory Philippines ‘Agnes of God,’ until March 12, Onstage, Greenbelt 1 John Pielmeier’s play about a young nun who gives birth but has no recollection of her
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