A 17th-century molave relleve (bas relief), with the defaced images of two women greeting each other, intrigues the onlooker. The...
Fifteen years after its first staging in Manila, Floy Quintos’ “Laro” has lost none of its justly earned bite, pathos and poignancy.
Pride Month at Arts Above? That’s the idea behind Artist Playground’s (AP) programming for June—well, sort of.
Floy Quintos’ tightening of the myriad threads that almost dragged down the original production of Full House Production’s “Ang Huling El Bimbo” is a case in point.
What is it about Floy Quintos plays? “The Kundiman Party” is a world away from Quintos’ “Angry Christ”...
“Writing for Friends” could very well have been the other title for “The Kundiman Party,” the new play I...
A work of such superlative, gratifying quality, Floy Quintos’ new play, directed by Dexter Santos, clings to your brain, begging for repeat viewings
Four years ago, art connoisseur-patron and playwright-director Floy Quintos found himself repeatedly saying that word like an invocation at the chapel of St. Joseph the Worker in Victorias City, Negros Occidental. It was his fourth visit, but he found himself still staring at the “Angry Christ” mural by the late Filipino-American artist Alfonso Ossorio.
'The masks made me see very little. I had to dance, sing and act without seeing much—to completely master the performance space, even with eyes closed'
Alumni gather for Dulaang UP anniversary fund-raiser
