The play’s crowning glory is its holy trinity of actors
In Atlantis Productions’ “Piaf,” audiences are greeted by a room made of wide, drab, wooden panels and crumbling shutters that reach the rafters, a visual metaphor for the vast, high-reaching yet damaged life of the play’s titular French chanteuse.
Art Acuña, Pinky Amador, Topper Fabregas lead the cast of Atlantis Theatrical Entertainment Group’s production of “Angels in America: Millennium Approaches”—part 1 of American playwright Tony Kushner’s award-winning play on AIDS and homosexuality.
It is late afternoon in a dance studio in Makati, where the cast of Atlantis Productions’ “Piaf” is winding up rehearsals for the day. The play, which premiered Friday night at the Carlos P. Romulo Auditorium of RCBC Plaza, has occupied the mind of its lead star, Pinky Amador, for a good number of years.
Supertyphoon “Yolanda” showed the best and the worst of social media. In the immediate aftermath, at least, there was none of the irreverent humor that Filipinos are known for, we who make fun of anything and anyone, even and especially our own misfortune. The enormity of the tragedy was such that not even the worst kibitzers on social media had the guts to post any wisecrack.
(22nd in a series) Pinky Amador, theater/film actor The enhanced community quarantine (ECQ) has been one massive (overextended?) creative exercise...
'Marcos, Enrile, Laurel, Virata–at Rep, we all somehow managed to co-exist despite the differences'
Repertory Philippines’ second production for its 50th anniversary is John Pielmeier’s “Agnes of God,” a play it had first staged in 1983 with Pinky Amador as Agnes, and Rep cofounders Zeneida “Bibot” Amador as the mother superior and Baby Barredo as the psychiatrist.
And they do seem to be enjoying themselves on stage in this pleasant, witty–if not exactly rip-roaring–production
Rep stalwarts pay tribute to the company’s legendary founder, who would have been 83 last Feb. 7
