The works of Roald Dahl have always been Trojan Horses of sorts. They’re as silly and imaginative as children’s books...
Like many biblical adaptations before it, Trumpets’ “Joseph the Dreamer” interprets this story of a son sold to slavery as...
Repertory Philippines’ “Stage Kiss” gets most of its laughs from the line that separates performance and reality. In telling the...
There’s a lot riding on the shoulders of Dulaang UP’s (DUP) “Fuente Ovejuna.” Not only is this Spanish play (written...
There is often a temptation to stage Shakespeare with all the elegance that centuries of history have infused into the...
With its two-night performance of “Bulawan”—the Cultural Center of the Philippines’ (CCP) 50th anniversary concert—the CCP reaffirmed the values...
In lesser hands, Stephen Sondheim’s “Company” would have come out as little more than a comedy about relationships, with single...
Tanghalang Ateneo’s “Dolorosa” has ideas worth thinking about. Directed by Jenny Jamora and written by Peter Zaragoza Mayshle (who has...
The program for “If He Doesn’t See Your Face” describes the play as a product of a “Sisyphean-like struggle” to interpret Suzue Toshiro’s original text.
The 15th Virgin Labfest (VLF), which received a record 207 submissions, marks a milestone in the history of this festival of one-act plays.
