The production ends up staying with you, even growing on you, long after the lights have gone out
But it was as magical as theater could get watching Lorenz Martinez sing the Baker’s big number ‘No More’ a cappella
If any production from the festival deserves a second, longer life, it’s ‘Maniacal,’ the trenchant backstage drama written and directed by George de Jesus
She delivered the goods, weathered instrument and all, her big hits still blustery, eardrum-blasting affairs
Its three best entries each features at least one bright new talent at the helm
Fearlessly mounted, thrillingly acted–and distressingly short-lived
If not always powerful, these monologues simply ooze with passion–and they find an ideal companion in the unembellished staging and honest performances
And Richard Rodgers’ music has never sounded richer and more alive than in the sumptuous playing by the Manila Philharmonic Orchestra
17 numbers, including four medleys, representing 16 musicals–though the vibe was more festive reunion than concert
Reb Atadero’s direction is an admirable exercise in restraint and streamlining
