Remember that time back in March when a sizable closing-night crowd congregated at the CCP stage door and serenaded the cast of the Asia-Pacific touring production of “Wicked” with the musical’s undying friendship anthem “For Good”?
At the CCP Little Theater last July 5, musical theater actor Audie Gemora candidly recalled to a sold-out house his five-second audition for “Miss Saigon,” back when the musical’s creative team had just discovered the goldmine of homegrown Filipino talent.
The big revelation during Menchu Lauchengco-Yulo’s concert at the CCP Little Theater last Aug. 15 was that she is actually a woman of three faces.
Nothing of magnitude happens in Tanghalang Pilipino’s “Manila Notes.”
(First of two parts) Under ordinary circumstances, the Cultural Center of the Philippines would have resembled a pilgrimage site of...
The experience of watching Ateneo Blue Repertory’s “Toilet: The Musical” (which concluded March 1 after a three-week run) approximated that of sitting in the middle of a Bornean rainforest, at three in the afternoon in May, to see some cool animals appear.
Twenty-three trophies are up for grabs at the 11th Philstage Gawad Buhay Awards for the Performing Arts, May 28, at the Onstage Theater, Greenbelt 1, Makati City.
One major limitation of print publications is the availability of space in any given issue. It is for this reason...
Original Filipino musicals led the nominations for the 11th Philstage Gawad Buhay Awards for the Performing Arts. Audie Gemora...
Miguel Antonio “Guelan” Luarca is the epitome of the multitasking theater artist.
