A political quartet and an arresting ‘Julius Caesar’ at the Ateneo
Shakespeare’s historical tragedy is rendered as a unique drama that’s stripped down to just an hour and a half.
Shakespeare’s historical tragedy is rendered as a unique drama that’s stripped down to just an hour and a half.
Just like the era, it is lightning speed, transparent and honest—but please improve the acoustics.
“Fil-Ams have been performing on Broadway since the late 1940s; Barbara Luna was in ‘South Pacific’… Patrick Adiarte was in ‘The King and I,’” writes the author, Walter Ang.
Atlantis Theatrical’s production of the 1997 Broadway musical runs until Sept. 23 at RCBC Plaza’s Carlos P. Romulo Auditorium.
Typecast as villain on film and TV, the actor with swag, abs and cryptic tattoos finally portrays a good guy on his first theater role.
The musical had only five performances (including a press preview) at Arts Above, Quezon City. Perhaps such a brief life was all for the best.
It’s a brilliantly mounted production that fuses fury, fear and, in its final moments, faint slivers of hope.
Pat Valera’s stage adaptation of Bautista’s novel returns Sept. 7-11.
At 51, the former frontman of AfterImage who wrote ’90s anthem songs like “Habang May Buhay” and “Next in Line” now joins musical theater.
The original musical that’s based on a repertoire of pop classics successfully surmounts the hurdle of preventing the show from becoming a concert.
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