Tanghalang Ateneo’s “Dolorosa” has ideas worth thinking about. Directed by Jenny Jamora and written by Peter Zaragoza Mayshle (who has...
It is easy to see Diana Son’s “Stop Kiss,” opening so soon after Pride Month, as an eloquent advocacy for the acceptance of alternative lifestyles, and an indictment of toxic attitudes toward people perceived as different.
Explaining why her play “Stop Kiss” remains relevant after its 1998 off-Broadway debut, American playwright Diana Son was quoted: “Because unquestionably the last beat of the play is, love wins.”
Ice cream and suicide is an odd mix, but it works in the part-improv play “Every Brilliant Thing” as a reminder that depression is not a dirty word, and things will always get better.
The restaging of “Desaparesidos,” adapted from Lualhati Bautista’s novel, runs Aug. 17-Sept. 2, at The Doreen Black Box, Areté, Ateneo de Manila University.
“Writing for Friends” could very well have been the other title for “The Kundiman Party,” the new play I...
He kept hearing voices in his head—like Joan of Arc—although he was not quite a candidate for canonization. And he...
Red Turnip Theater unveils a provocative rendition of Jennifer Haley’s sci-fi crime thriller
Peta’s grafting of Shakespeare to the ‘Yolanda’ saga strikes a chord
Luna Inocian, Jenny Jamora, Topper Fabregas and other friends of director Paolo Dy and his wife Cathy Azanza-Dy all pitched in to help refine and deepen the film’s text and character work
