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Tanghalang Ateneo’s “AKO: Alpha Kappa Omega” finds itself caught between past and present.
“Middle Finger.” We’re not sure about the imagery and related context that Filipino-American playwright Han Ong had in mind when he made it the title of his stunning, disturbing work, but after viewing Tanghalang Ateneo’s (TA) interpretation of the play last weekend, we get the drift.
TA’s Glenn Sevilla Mas and DUP’s Dexter Santos step down this year as artistic director of their respective organizations.
TANGHALANG ATENEO closes its 34th season with the first Philippine staging of “The King of the Birds,” from the classic Persian poem by Farid ud-Din Attar, as scripted by Jean Claude Carriere and Peter Brook. It tells the story of a nation of birds embarking on a difficult journey to meet their one true King.
Tanghalang Ateneo stages “Ang Bakkhai (The Bacchae)” by Euripides on September 12-14, and 18–21 at the Black Box, Fine Arts Annex, Ateneo de Manila University. The Filipino adaptation is by Guelan Luarca.
Edgar Samar’s folklore-infused work debuts as a Tanghalang Ateneo production this February
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools will end its 37th Season: “Staging Revolution/s” this March with...
If you want an evening of genuine surprise at the theater, the kind that makes you go, “I never thought they had it in them,” then the Ateneo is the place to be these days, where Blue Repertory’s “In the Heights” and Tanghalang Ateneo’s adaptation of “Waiting for Godot” prove nightly that youth and inexperience are never hindrances to putting up a show whose quality matches its ambition.
Only in the least adventurous of Tanghalang Ateneo’s five interpretations does the absurdist classic make perfect sense
ONGOING Spotlight Artists Centre’s ‘Dirty Old Musical,’ Music Museum, until Sept. 11 Nonie Buencamino, John Arcilla, Robert Sena,...
